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True to Ceylan's style, the film features breathtaking long takes and static shots that capture the oppressive beauty of the Turkish winter. However, "About Dry Grasses" also breaks the "fourth wall" in a surprising meta-cinematic moment that forces the audience to confront the reality of the filmmaking process—a rare move for such a naturalistic director.

His world is upended when he and his colleague, Kenan, are accused of inappropriate contact by two female students. As the investigation unfolds, Samet’s manipulative nature and existential frustrations come to the surface. His life becomes further complicated by his relationship with Nuray, a resilient teacher from a neighboring village who has been physically and emotionally scarred by a local bombing.

These platforms often host Ceylan’s filmography.