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Toby Dick Studio - Kaitlyn Katsaros - SMACK-UP ...

Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.

Version française  

Toby Dick Studio - Kaitlyn Katsaros - SMACK-UP ...

New Sequences by François Faucher

Now working on: G.F. Carulli's Gran Sonata Op.25


New.gif (284 octets) G.F.Handel's Sonata 2. Allegro 3.Adagio HWV368New.gif (284 octets)


New.gif (284 octets) .J.S. Bach's  Sonata largo BWV1079 New.gif (284 octets)

New.gif (284 octets) F. Carulli's Two Russian Airs with variations Op.110New.gif (284 octets)

New.gif (284 octets) .W.A.Mozart's Symphony No.41 (Jupiter) KWV551

.New.gif (284 octets) J.S. Bach's .Sonata 2. Fugue  BWV964 New.gif (284 octets)

.New.gif (284 octets) W.A. Mozart's Theme and variations on: "La belle Françoise" K353 New.gif (284 octets)

New.gif (284 octets) W.A. Mozart's .Rondo K.511 New.gif (284 octets)


: Using movement to convey the "smack-up" theme, which implies a collision of styles or emotions.

: Navigating the studio's complex lighting setups to highlight the juxtaposition of soft features against harsh, industrial backgrounds. Breaking Down "SMACK-UP"

For those following the trajectory of Kaitlyn Katsaros or the evolving portfolio of Toby Dick Studio, "SMACK-UP" remains a definitive reference point for how modern studios can leverage specific talent to push the envelope of digital artistry.

: The styling typically associated with Toby Dick Studio projects involves a mix of high-fashion silhouettes and "street" or "grunge" finishes, a look that Katsaros embodies effortlessly.

Toby Dick Studio has carved out a niche in the digital and visual arts space by prioritizing texture, unconventional lighting, and a "lo-fi" yet high-impact production style. Their work often challenges traditional beauty standards, opting instead for a visceral realism that resonates with modern underground art movements. In "SMACK-UP," the studio utilizes its signature framing to create an environment that feels both intimate and expansive. The Role of Kaitlyn Katsaros

The project "SMACK-UP" is more than just a title; it represents a thematic "collision." In the context of this collaboration, it refers to the meeting of different artistic mediums:

The intersection of avant-garde visual storytelling and raw, high-concept performance comes alive in the collaboration between and Toby Dick Studio for the project titled "SMACK-UP." This creative venture marks a significant moment for enthusiasts of experimental media, blending the distinct, often gritty aesthetic of Toby Dick Studio with the evocative presence of Katsaros. Defining the Aesthetic: Toby Dick Studio

Collaborations like "Toby Dick Studio - Kaitlyn Katsaros - SMACK-UP" are essential to the evolution of contemporary visual culture. They provide a space for creators to step outside the boundaries of mainstream media and explore more provocative, thought-thought themes. By focusing on the "collision" of ideas, the project invites the audience to find beauty in the unconventional and the overlooked.


Composers are grouped in 6 pages: A-B; C-F; G-L; M-O; P-R; S-Z . J.-S. Bach ,  A. Barrios Mangore , N. Coste , M. Giuliani , F. Sor and F. Tarrega are on their own page

Click here to listen to 20 great MIDI from the site


Composers in alphabetical order

Toby Dick Studio - Kaitlyn Katsaros - Smack-up ... !!link!! -

: Using movement to convey the "smack-up" theme, which implies a collision of styles or emotions.

: Navigating the studio's complex lighting setups to highlight the juxtaposition of soft features against harsh, industrial backgrounds. Breaking Down "SMACK-UP"

For those following the trajectory of Kaitlyn Katsaros or the evolving portfolio of Toby Dick Studio, "SMACK-UP" remains a definitive reference point for how modern studios can leverage specific talent to push the envelope of digital artistry. Toby Dick Studio - Kaitlyn Katsaros - SMACK-UP ...

: The styling typically associated with Toby Dick Studio projects involves a mix of high-fashion silhouettes and "street" or "grunge" finishes, a look that Katsaros embodies effortlessly.

Toby Dick Studio has carved out a niche in the digital and visual arts space by prioritizing texture, unconventional lighting, and a "lo-fi" yet high-impact production style. Their work often challenges traditional beauty standards, opting instead for a visceral realism that resonates with modern underground art movements. In "SMACK-UP," the studio utilizes its signature framing to create an environment that feels both intimate and expansive. The Role of Kaitlyn Katsaros : Using movement to convey the "smack-up" theme,

The project "SMACK-UP" is more than just a title; it represents a thematic "collision." In the context of this collaboration, it refers to the meeting of different artistic mediums:

The intersection of avant-garde visual storytelling and raw, high-concept performance comes alive in the collaboration between and Toby Dick Studio for the project titled "SMACK-UP." This creative venture marks a significant moment for enthusiasts of experimental media, blending the distinct, often gritty aesthetic of Toby Dick Studio with the evocative presence of Katsaros. Defining the Aesthetic: Toby Dick Studio : The styling typically associated with Toby Dick

Collaborations like "Toby Dick Studio - Kaitlyn Katsaros - SMACK-UP" are essential to the evolution of contemporary visual culture. They provide a space for creators to step outside the boundaries of mainstream media and explore more provocative, thought-thought themes. By focusing on the "collision" of ideas, the project invites the audience to find beauty in the unconventional and the overlooked.

 

 

FLAMENCO

Paco de Lucia  ; Sabicas 

 


Note to MIDI sequence contributors

Your submissions are welcomed.  Please send them by e-mail (end of text). Pieces should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne Op.4 No.2.). The submissions should bear information on the transcriber or arranger when available. The submitter's name will appear beside the accepted submission.   

This site exists primarily to showcase pieces written for the classical guitar. Established and recognized transcriptions and arrangements (e.g., Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given high priority.  

New compositions for the classical guitar are also welcomed.  New compositions that meet quality guidelines will be added to the site. For new contributors, it would be appreciated if you would also submit several pieces by known composers in addition to your own compositions.  This will help to expand the repertoire of established works for the classical guitar in addition to expanding the repertoire of new music. 

 

Last update: March 8 2026

Copyright François Faucher 1998-2025

INDEX OF COMPOSERS

COMPOSERS TIMELINE

VIDEOS

TABLATURE SYSTEM

TABLATURE SAMPLES

MIDI HISTORY

SUBMIT

LINKS

ANCIENT GUITARS