Her performance as Bubble, a shape-shifting "glamopod," features a dazzling dance sequence that remains one of the most creative uses of VFX in modern film.
Whether you're a fan of the original 1960s comics or a newcomer to the world of space operas, Valerian is a journey worth taking—if only to see the universe through Luc Besson’s kaleidoscopic lens. Valerian And The City Of A Thousand Planets - E...
Visually, the film is a triumph. From the "Big Market"—a multi-dimensional bazaar that requires special goggles to see—to the bioluminescent paradise of the Mül planet, Besson pushes digital effects to their absolute limit. Every frame is packed with imaginative creature designs and vibrant color palettes that stand in stark contrast to the gritty, "lived-in" aesthetic popularized by other sci-fi franchises. The Protagonists: Valerian and Laureline The opening sequence, set to David Bowie’s "Space
The heart of the film is "Alpha," the titular City of a Thousand Planets. The opening sequence, set to David Bowie’s "Space Oddity," elegantly charts the history of the International Space Station as it grows over centuries, welcoming alien species until it becomes too massive for Earth's orbit and is pushed into deep space. The opening sequence
Valerian and the City of a Thousand Planets is a reminder of what happens when a director is given total creative freedom. It is a sensory-overload experience that prioritizes wonder over tight plotting. For those tired of the "dark and gritty" sci-fi trope, Alpha offers a neon-soaked alternative that celebrates the diversity of the cosmos.
Valerian and the City of a Thousand Planets: A Maximalist Sci-Fi Odyssey